Title: Profane illumination: Walter Benjamin and the Paris of surrealist revolution
Author: Cohen, Margaret
Published: University of California Press,  1993
Subjects: German Studies | Philosophy | Literary  Theory  and  Criticism
Publisher's Description: Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene.   [brief]
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Title: History and tropology: the rise and fall of metaphor 
Author: Ankersmit, F. R
Published: University of California Press,  1994
Subjects: Philosophy | Literary  Theory  and  Criticism | Intellectual History
Publisher's Description: "The chief business of twentieth-century philosophy is to reckon with twentieth-century history," claimed Collingwood. In this remarkable collection of essays, many published for the first time, Frank Ankersmit demonstrates the prescience of that remark and goes a long way toward meeting its challenge. Responding to the work of Hayden White, Arthur Danto, and Hans-Georg Gadamer, he examines such issues as the difference between historical representation and artistic expression, the status of metaphor in historical description, and the relation of postmodernism to historicism. Ankersmit's fluent grasp of European thought and his ability to incorporate concepts from literary theory, art history, the philosophy of science, and political thought into his analyses assure that this collection will interest readers throughout the humanities.   [brief]
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Title: The imaginary puritan: literature, intellectual labor, and the origins of personal life 
Author: Armstrong, Nancy
Published: University of California Press,  1992
Subjects: Literature | Literary  Theory  and  Criticism | American Literature
Publisher's Description: Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being.Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world.Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction.   [brief]
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Title: Latin American vanguards: the art of contentious encounters 
Author: Unruh, Vicky
Published: University of California Press,  1994
Subjects: Literature | Latin American Studies | Literary  Theory  and  Criticism
Publisher's Description: In this first comprehensive study of Latin America's literary vanguards of the 1920s and 1930s, Vicky Unruh explores the movement's provocative and polemic nature. Latin American vanguardism - a precursor to the widely acclaimed work of contemporary Latin American writers - was stimulated by the European avant-garde movements of the World War I era. But as Unruh's wide-ranging study attests, the vanguards of Latin America - emerging from the continent's own historical circumstances - developed a very distinct character and voice.Through manifestos, experimental texts, and ribald public performance, the vanguardists' work intertwined art, culture, and the politics of the day to produce a powerful brand of aesthetic activism, one that sparked an entire rethinking of the meaning of art and culture throughout Latin America.   [brief]
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Title: Revenge of the aesthetic: the place of literature in theory today 
Author: Clark, Michael 1950-
Published: University of California Press,  2000
Subjects: Literature | Literary  Theory  and  Criticism | Philosophy
Publisher's Description: This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy.   [brief]
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Title: Wising up the marks: the modern William Burroughs 
Author: Murphy, Timothy S 1964-
Published: University of California Press,  1998
Subjects: Literature | American Studies | Literary  Theory  and  Criticism | Philosophy
Publisher's Description: William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose.From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.   [brief]
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Title: Incidents 
Author: Barthes, Roland
Published: University of California Press,  1992
Subjects: Literature | Autobiography | Literary  Theory  and  Criticism | GayLesbian and Bisexual Studies
Publisher's Description: In 1979, just after having written skeptically on the question of whether a journal was worth keeping "with a view to publication," Roland Barthes began to keep an intimate journal called "Soirées de Paris" in which he gave direct notation to his gay desire in its various states of excitation, panic, and despair. Together with three other uncollected texts by Barthes, including an earlier journal he kept in Morocco, this remarkable document was published in France after its author's death under the title of Incidents . Richard Howard's translation now makes the volume available to readers of English."I gave him some money, he promised to be at the rendezvous an hour later, and of course never showed up. I asked myself if I was really so mistaken (the received wisdom about giving money to a hustler in advance! ) and concluded that since I really didn't want him all that much (nor even to make love), the result was the same: sex or no sex, at eight o'clock I would find myself back at the same point in my life." - from Incidents   [brief]
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Title: Inscribing the time: Shakespeare and the end of Elizabethan England 
Author: Mallin, Eric Scott
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary  Theory  and  Criticism | Renaissance Literature
Publisher's Description: Combining the resources of new historicism, feminism, and postmodern textual analysis, Eric Mallin reveals how contemporary pressures left their marks on three Shakespeare plays written at the end of Elizabeth's reign. Close attention to the language of Troilus and Cressida , Hamlet , and Twelfth Night reveals the ways the plays echo the events and anxieties that accompanied the beginning of the seventeenth century. Troilus reflects the rebellion of the Earl of Essex and the failure of the courtly, chivalric style. Hamlet resonates with the danger of the bubonic plague and the difficult succession history of James I. Twelfth Night is imbued with nostalgia for an earlier period of Elizabeth's rule, when her control over religious and erotic affairs seemed more secure.   [brief]
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Title: Faultlines: cultural materialism and the politics of dissident reading 
Author: Sinfield, Alan
Published: University of California Press,  1992
Subjects: Literature | Renaissance Literature | English Literature | Literary  Theory  and  Criticism
Publisher's Description: If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.   [brief]
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Title: Songs to make the dust dance: the Ryōjin hishō of twelfth-century Japan 
Author: Kwon, Yung-Hee K
Published: University of California Press,  1994
Subjects: Literature | Asian Literature | Literary  Theory  and  Criticism | Japan | Asian Studies
Publisher's Description: Breaking through the long-established image of Heian Japan (794-1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents the picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. In popular songs called imayo , they expressed their concerns about religion, love, aging, and even current affairs.In 1179 Emperor Go-Shirakawa compiled Ryojin hisho , a twenty-volume collection of this song genre that juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. Kim makes these songs the core of her book, in translations that faithfully reflect the sounds and images of the originals and bring them to life within their own literary and cultural context.   [brief]
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Title: Thinking fragments: psychoanalysis, feminism, and postmodernism in the contemporary West 
Author: Flax, Jane
Published: University of California Press,  1990
Subjects: Gender Studies | Psychiatry | Political Theory | Literary  Theory  and  Criticism
Publisher's Description: Thinking Fragments provides a brilliant critique of psychoanalytic, feminist, and postmodern theory. Examining the writings of Freud, Winnicott, Lacan, Chodorow, Irigaray, Derrida, Rorty, and Foucault, among others, Flax conducts a "conversation" among psychoanalysts, feminist thinkers, and postmodern theorists, evaluating the ways in which each group of thinkers succeeds in coming to terms with crises in contemporary Western culture. As she analyzes each theory in turn, the others are used to identify and interrogate its gaps and omissions. The result is a postmodern text of intertwined ideas, devoid of clear beginnings, endings, conclusions.Flax addresses the question, "how is it possible to theorize in the contemporary West?" With the demise of objective notions of truth, knowledge, self and power, intellectuals have devised these new modes of thinking which both reflect and contribute to the uncertainties of the contemporary West. Each also addresses at least one aspect of what has become most problematic to modern individuals: How to come to terms with self, gender, knowledge and power without resorting to concepts that stress objectivity, universal knowledge, and a unitary self.Flax finds that neither psychoanalysis, nor feminism, nor postmodernism is adequate to the task for which it was conceived. Each can illuminate certain aspects of problems of self, gender, knowledge, and power, but none is sufficient on its own. In fact, each incorporates characteristic blindnesses rooted in part in the very difficulties it addresses. Despite their failures, Flax concludes that these modes of theorizing are our best tools thus far, compelling us to use them even while we grapple with the problems they raise. Thinking Fragments is a wide-ranging study that will elicit much discussion and debate. It is an essential text for social scientists and humanists alike, as well as anyone else who thinks about how to "do" theory in the contemporary West.   [brief]
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Title: On human nature: a gathering while everything flows, 1967-1984 
Author: Burke, Kenneth 1897-
Published: University of California Press,  2003
Subjects: Literature | Literary  Theory  and  Criticism | Intellectual History | Rhetoric | Comparative Literature
Publisher's Description: On Human Nature: A Gathering While Everything Flows brings together the late essays, autobiographical reflections, an interview, and a poem by the eminent literary theorist and cultural critic Kenneth Burke (1897-1993). Burke, author of Language as Symbolic Action, A Grammar of Motives, and Rhetoric of Motives, among other works, was an innovative and original thinker who worked at the intersection of sociology, psychology, literary theory, and semiotics. This book, a selection of fourteen representative pieces of his productive later years, addresses many important themes Burke tackled throughout his career such as logology (his attempt to find a universal language theory and methodology), technology, and ecology. The essays also elaborate Burke's notions about creativity and its relation to stress, language and its literary uses, the relation of mind and body, and more. Provocative, idiosyncratic, and erudite, On Human Nature makes a significant statement about cultural linguistics and is an important rounding-out of the Burkean corpus.   [brief]
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Title: Reclaiming identity: realist theory and the predicament of postmodernism
Author: Moya, Paula M. L
Published: University of California Press,  2000
Subjects: Literature | Literary  Theory  and  Criticism | Ethnic Studies | Gender Studies
Publisher's Description: "Identity" is one of the most hotly debated topics in literary theory and cultural studies. This bold and groundbreaking collection of ten essays argues that identity is not just socially constructed but has real epistemic and political consequences for how people experience the world. Advocating a "postpositivist realist" approach to identity, the essays examine the ways in which theory, politics, and activism clash with or complement each other, providing an alternative to the widely influential postmodernist understandings of identity. Although theoretical in orientation, this dynamic collection deals with specific social groups - Chicanas/os, African Americans, gay men and lesbians, Asian Americans, and others - and concrete social issues directly related to race, ethnicity, sexuality, epistemology, and political resistance. Satya Mohanty's brilliant exegesis of Toni Morrison's Beloved serves as a launching pad for the collection. The essays that follow, written by prominent and up-and-coming scholars, address a range of topics - from the writings of Cherrie Moraga, Franz Fanon, Joy Kogawa, and Michael Nava to the controversy surrounding racial program housing on college campuses - and work toward a truly interdisciplinary approach to identity.   [brief]
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Title: Rabelais's carnival: text, context, metatext 
Author: Kinser, Sam
Published: University of California Press,  1990
Subjects: Literature | Literary  Theory  and  Criticism | European Literature | Renaissance Literature
Publisher's Description: How is it possible, after four centuries, that a major episode in Rabelais's novels remains systematically misread? The episode, which playfully and grotesquely treats the relation of Carnival to Lent, occurs in Rabelais's Fourth Book , his last and most artfully crafted novel. Samuel Kinser argues that the text has been distorted because critics have not attended to the episode's performative as well as literary contexts, overlooking the innovative use Rabelais made in his work of his immediate world. In this original interpretation of the Fourth Book , Kinser evokes the gestures, games, and visual, oral, bodily semantics of Carnival and Lent as they were performed in Rabelais's day. He also underscores the importance to Rabelais of the invention of printing, an innovation which revolutionized the relationships of author and reader. Understanding this and fearing it, Rabelais adopted an extraordinary set of disguises as an author, disguises which in their bewildering interplay constitute the truest sense of his carnival.   [brief]
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Title: Ambiguous angels: gender in the novels of Galdós 
Author: Jagoe, Catherine
Published: University of California Press,  1994
Subjects: Literature | European Literature | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: The contradictory nature of the work of Benito Pérez Galdós, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdós's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood - the angel of the house.Using primary sources such as periodicals, medical texts, and conduct literature, Jagoe's examination of the evolution of feminism makes Ambiguous Angels valuable to anyone interested in gender, culture, and narrative in nineteenth-century Europe.   [brief]
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Title: Imaginary communities: utopia, the nation, and the spatial histories of modernity
Author: Wegner, Phillip E 1964-
Published: University of California Press,  2002
Subjects: Literature | Literary  Theory  and  Criticism | Politics | Social and Political Thought
Publisher's Description: Drawing from literary history, social theory, and political critique, this far-reaching study explores the utopian narrative as a medium for understanding the social space of the modern nation-state. Considering the narrative utopia from its earliest manifestation in Thomas More's sixteenth-century work Utopia to some of the most influential utopias of the late nineteenth and twentieth centuries, this book is an astute study of a literary genre as well as a nuanced dialectical meditation on the history of utopian thinking as a quintessential history of modernity. As he unravels the dialectics at work in the utopian narrative, Wegner gives an ambitious synthetic discussion of theories of modernity, considering and evaluating the ideas of writers such as Ernst Bloch, Louis Marin, Gilles Deleuze, Walter Benjamin, Martin Heidegger, Henri Lefebvre, Paul de Man, Karl Mannheim, Mikhail Bakhtin, Jürgen Habermas, Slavoj Zizek, and Homi Bhabha.   [brief]
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Title: The best of the Argonauts: the redefinition of the epic hero in book one of Apollonius's Argonautica 
Author: Clauss, James Joseph
Published: University of California Press,  1993
Subjects: Classics | Literature | Classical Literature and Language | Literary  Theory  and  Criticism
Publisher's Description: This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful.In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.   [brief]
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Title: The rest is silence: death as annihilation in the English Renaissance 
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary  Theory  and  Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
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Title: ABC of influence: Ezra Pound and the remaking of American poetic tradition 
Author: Beach, Christopher
Published: University of California Press,  1992
Subjects: Literature | Literary  Theory  and  Criticism | Poetry | American Studies | American Literature
Publisher's Description: In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the "canon" of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist experiments of the 1910s and 1920s. The work of these poets has served as a counterforce to the established traditions of the "American Sublime" and the Anglo-American formalism represented by T. S. Eliot and the New Criticism. ABC of Influence challenges previous discussions of poetic influence, particularly Harold Bloom's oedipal theory of revisionist "misreading," as insufficient for understanding the influence Pound's modernist practice and his relationship to poetic tradition had in defining the postmodernist poetics of Olson, Duncan, and other postwar American writers. The relation of these poets is most clearly seen on a formal level, but it is also evident in thematic elements of their work and in their stance toward poetic convention, the "canon," political and social engagement, and the inclusion of historical and other nonpoetic materials in the poetic text.This book makes a significant contribution to the study of modern American poetry by exploring modernism's legacy and charting new canonical possibilities in American literature. In reading Pound through the works of later poets, it also provides important new insights into Pound's own work and ideas.   [brief]
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Title: The hidden author: an interpretation of Petronius' Satyricon
Author: Conte, Gian Biagio 1941-
Published: University of California Press,  1997
Subjects: Classics | Classical Literature and Language | Literary  Theory  and  Criticism
Publisher's Description: The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model.At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains.   [brief]
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